Act the fourth

 

Scene the first

Scene, a grove.
Enter Osmond solus.

 Q 

<- Osmond

 

OSMOND

Now I am settled in my forceful sway,  

why then, I'll be luxurious in my love;

take my full gust, and, setting forms aside,

I'll bid the slave, that fires my blood, obey.

 
Enter Grimbald, who meets him.

<- Grimbald

 

GRIMBALD

Not so fast, master, danger threatens thee:  

there's a black cloud ascending from above,

full of heav'n's venom, bursting o'er thy head.

OSMOND

Malicious fiend, thou ly'st: for I am fenc'd

by millions of thy fellows, in my grove:

I bad thee, when I freed thee from the charm,

run scouting thro' the wood, from tree to tree,

and look if all my devils were on duty:

hadst thou perform'd thy charge, thou tardy sprite,

thou wouldst have known no danger threaten'd me.

GRIMBALD

When did a devil fail in diligence?

Poor mortal, thou thyself art overseen;

I have been there, and hence I bring this news.

Thy fatal foe, great Arthur, is at hand:

Merlin has ta'en his time, while thou wert absent,

t' observe thy characters, their force, and nature,

and counterwork thy spells.

OSMOND

The devil take Merlin!

I'll cast 'em all a-new, and instantly,

all of another mould; be thou at hand.

Their composition was, before, of horror;

now they shall be of blandishment, and love;

seducing hopes, soft pity, tender moans:

art shall meet art: and, when they think to win,

the fools shall find their labours to begin.

 
(exeunt Osmond and Grimbald)

Osmond, Grimbald ->

 
 

Scene the second

Scene, a wood, with a large oak in the front.
Enter Arthur, and Merlin at another door.

 Q 

<- Arthur, Merlin

 

MERLIN

Thus far it is permitted me to go;  

but all beyond this spot is fenc'd with charms;

I may no more, but only with advice.

ARTHUR

My sword shall do the rest.

MERLIN

Remember well, that all is but illusion;

go on; good stars attend thee.

ARTHUR

Doubt me not.

MERLIN

Yet in prevention

of what may come, I'll leave my Philidel

to watch thy steps, and with him leave my wand;

the touch of which no earthy fiend can bear,

in whate'er shape transform'd, but must lay down

his borrow'd figure; and confess the devil.

Once more farewell, and prosper.

(exit Merlin)

Merlin ->

 

ARTHUR

(walking)  

No danger yet, I see no walls of fire,

no city of the fiends, with forms obscene,

to grin from far on flaming battlements.

This is indeed the grove I should destroy;

but where's the horror? sure the prophet err'd.

Hark! musick, and the warbling notes of birds;

(soft musick)

more wonders yet; yet all delightful too.

A silver current to forbid my passage,

and yet t'invite me, stands a golden bridge:

perhaps a trap for my unwary feet,

to sink and whelm me underneath the waves;

with fire or water. Let him wage his war,

or all the elements at once, I'll on.

 
As he is going to the bridge, two syrens arise from the water, and sing.

<- Two syrens

 
[N. 36 - O pass not on, but stay]

 N 

 

1ST SYREN

O pass not on, but stay  

and waste the joyous day

with us in gentle play;

unbend to love, unbend thee,

o lay thy sword aside,

and other arms provide;

for other wars attend thee,

and sweeter to be tried.

 

CHORUS

For other wars etc.

 
[N. 37 - Two daughters of this aged stream are we]

 N 

 
Duetto.
 

TWO SYRENS

Two daughters of this aged stream are we,  

and both our sea-green locks have comb'd for thee;

come bathe with us an hour or two,

come naked in, for we are so:

what danger from a naked foe?

Come bathe with us, come bathe, and share

what pleasures in the floods appear:

we'll beat the waters till they bound,

and circle, round, around, around,

and circle round, around.

 

ARTHUR

A lazie pleasure trickles thro' my veins;  

here could I stay, and well be cozen'd here.

But Honour calls; is Honour in such haste?

Can it not bait at such a pleasing inn?

No; for the more I look, the more I long:

farewel, ye fair illusions, I must leave ye,

while I have pow'r to say, that I must leave ye.

Farewel, with half my soul I stagger off;

how dear this flying victory has cost,

when if I stay to struggle, I am lost.

 
As he is going forward, nymphs and sylvans come out from behind the trees. A bass and two trebles sing the following song to a minuet. Dance with the song, all with branches in their hands.

<- Nymphs, Sylvans

 
[N. 38 - Passacaglia]

 N 

 
[N. 39 - How happy the lover]

 N 

 

ONE SYLVAN, TWO NYMPHS

How happy the lover    

how easy his chain,

how pleasing his pain,

how sweet to discover

he sighs not in vain.

S

 
[N. 40 - For love every creature]

 N 

 

ONE SYLVAN, TWO NYMPHS

For love every creature    

is form'd by his nature;

no joys are above

the pleasures of love.

S

Sfondo schermo () ()

 
The dance continues with the same measure played alone.
 

ONE SYLVAN, TWO NYMPHS

In vain are our graces,

in vain are your eyes,

if love you despise;

when age furrows faces,

t is time to be wise.

Then use the short blessing,

that flies in possessing:

no joys are above

the pleasures of love.

 

ARTHUR

And what are these fantastick fairy joys,  

to love like mine? False joys, false welcomes all.

Be gone, ye sylvan trippers of the green;

fly after night, and overtake the moon.

 
Here the dancers, singers and syrens vanish.

Two syrens, Nymphs, Sylvans ->

ARTHUR

This goodly tree seems queen of all the grove.  

The ringlets round her trunk declare her guilty

of many midnight sabbaths revell'd here.

Her will I first attempt.

Arthur strikes at the tree, and cuts it; blood spouts out of it, a groan follows, then a shriek.
 

ARTHUR

Good heav'n, what monstrous prodigies are these!  

Blood follows from my blow; the wounded rind

spouts on my sword, and sanguine dyes the plain.

He strikes again: a voice of Emmeline from behind.
 

EMMELINE

(from behind)  

Forbear, if thou hast pity, ah, forbear!

These groans proceed not from a senseless plant,

no spouts of blood run welling from a tree.

ARTHUR

Speak what thou art; I charge thee speak thy being:

thou hast made my curdled blood run back,

my heart heave up, my hair to rise in bristles,

and scarcely left a voice to ask thy name.

 
Emmeline breaks out of the tree, shewing her arm bloody.

<- Emmeline

 

EMMELINE

Whom thou hast hurt, unkind and cruel, see;  

look on this blood, 'tis fatal, still, to me,

to bear thy wounds, my heart has felt 'em first.

ARTHUR

'Tis she: amazement roots me to the ground!

EMMELINE

By cruel charms, dragg'd from my peaceful bower,

fierce Osmond clos'd me in this bleeding bark;

and bid me stand expos'd to the bleak winds,

and winter storms, and heav'ns inclemency,

bound to the fate of this hell-haunted grove;

so that whatever sword, or sounding axe,

shall violate this plant, must pierce my flesh,

and, when that falls I die. ~

ARTHUR

If this be true,

o never, never to be ended charm,

at least by me! Yet all may be illusion.

Break up, ye thick'ning fogs, and filmy mists,

all that bely my sight, and cheat my sense;

for reason still pronounces, 'tis not she,

and thus resolv'd. ~

 
Lifts up his sword, as going to strike.
 

EMMELINE

Do, strike, barbarian, strike;

and strew my mangled limbs, with every stroke.

Wound me, and doubly kill me, with unkindness,

that, by thy hand I fell.

ARTHUR

What shall I do, ye powers?

EMMELINE

Lay down thy vengeful sword; 'tis fatal here:

what need of arms, where no defence is made?

A love-sick virgin, panting with desire,

no conscious eye t'intrude on our delights;

for this thou hast the Syren's songs despis'd;

for this, thy faithful passion I reward;

haste then, to take me longing to thy arms.

ARTHUR

O love! o Merlin! whom should I believe?

EMMELINE

Believe thy self, thy youth, thy love, and me;

they only, they, who please themselves, are wise:

disarm thy hand, that mine may meet it bare.

ARTHUR

By thy leave, reason, here I throw thee off,

thou load of life: if thou wert made for souls,

then souls should have been made without their bodies.

If, falling for the first created fair

was Adam's fault, great grandsire, I forgive thee;

Eden was lost, as all thy sons would loose it.

(going toward Emmeline, and pulling off his gantlet)
 
Enter Philidel running.

<- Philidel

 

PHILIDEL

Hold, poor deluded mortal, hold thy hand;  

which, if thou giv'st, is plighted to a fiend.

For proof, behold the virtue of this wand;

th' infernal paint shall vanish from her face,

and hell shall stand reveal'd.

 
Strikes Emmeline with a wand, who straight descends: Philidel runs to the descent and pulls up Grimbald, and binds him.

Emmeline ->

<- Grimbald

 

PHILIDEL

Now see to whose embraces thou wert falling.  

Behold the maiden modesty of Grimbald!

The grossest, earthiest, ugliest fiend in hell.

ARTHUR

Horror seizes me,

to think what headlong ruin I have tempted.

PHILIDEL

Haste to thy work; a noble stroke or two

ends all the charms, and disenchants the grove.

I'll hold thy mistress bound.

ARTHUR

Then here's for earnest;

 
Strikes twice or trice, and the tree falls, a peal of thunder immediately follows, with dreadful howlings.
 

ARTHUR

'tis finish'd, and the dusk, that yet remains,

is but the native horror of the wood.

But I must lose no time; the pass is free;

th' unroosted fiends have quitted this abode;

on yon proud towers, before this day be done,

my glittering banners shall be wav'd against the setting sun.

(exit Arthur)

Arthur ->

 

PHILIDEL

Come on, my surly slave; come stalk along,  

and stamp a mad-man's pace, and drag thy chain.

GRIMBALD

I'll champ and foam upon't, till the blue venom

work upwards to thy hands, and loose their hold.

PHILIDEL

Know'st thou this pow'erful wand? 'tis lifted up;

a second stroke wou'd send thee to the centre,

benumb'd and dead, as far as souls can die.

GRIMBALD

I wou'd thou woud'st, to rid me of my sense:

I shall be whoop'd thro' hell, at my return

inglorious from the mischief I design'd.

PHILIDEL

And therefore, since thou loath'st etherial light,

the morning sun shall beat on thy black brows;

the breath thou draw'st shall be of upper air,

hostile to thee, and to thy earthy make;

so light, so thin, that thou shall starve for want

of thy gross food, till gasping thou shalt lie,

and blow it back, all sooty, to the sky.

 
(exit Philidel, dragging Grimbald after him)

Philidel, Grimbald ->

 
[N. 41 - Fourth Act Tune: Air]

 N 

 
End of the fourth act.
 

The end (Act the fourth)

Act the first Act the second Act the third Act the fourth Act the fifth

A grove.

<- Osmond

Now I am settled in my forceful sway

Osmond
<- Grimbald

Not so fast, master, danger threatens thee

Osmond, Grimbald ->

A wood, with a large oak in the front.

<- Arthur, Merlin

Thus far it is permitted me to go

Arthur
Merlin ->

No danger yet, I see no walls of fire

Arthur
<- Two syrens

[N. 36 - O pass not on, but stay]

[N. 37 - Two daughters of this aged stream are we]

A lazie pleasure trickles thro' my veins

Arthur, Two syrens
<- Nymphs, Sylvans

[N. 38 - Passacaglia]

[N. 39 - How happy the lover]

One sylvan, Two nymphs
How happy the lover

[N. 40 - For love every creature]

One sylvan, Two nymphs
For love every creature

And what are these fantastick fairy joys

Arthur
Two syrens, Nymphs, Sylvans ->

This goodly tree seems queen of all the grove

(Arthur strikes at the tree, and cuts it; blood spouts out of it, a groan follows, then a shriek.)

Good heav'n, what monstrous prodigies are these!

Forbear, if thou hast pity, ah, forbear!

Arthur
<- Emmeline

Whom thou hast hurt, unkind and cruel, see

Arthur, Emmeline
<- Philidel

Hold, poor deluded mortal, hold thy hand

Arthur, Philidel
Emmeline ->
Arthur, Philidel
<- Grimbald

Now see to whose embraces thou wert falling

(Arthur strikes twice or trice, and the tree falls, a peal of thunder immediately follows, with dreadful howlings.)

Philidel, Grimbald
Arthur ->

Come on, my surly slave; come stalk along

Philidel, Grimbald ->

[N. 41 - Fourth Act Tune: Air]

 
Scene the first Scene the second
A gothic temple, being a place of heathen worship; the three Saxon gods, Woden, Thor, and Freya, placed on... A landskip. A camp, drums, trumpets, and military shouts. A rural prospect. A wood. A camp and Emmeline's pavilion, with a bank. A camp at a distance. Rocks and water. A deep wood. A stormy wintry country. A grove. A wood, with a large oak in the front. A camp. The scene discovers the British ocean in a storm.
[N. 1 - Overture] [N. 2 - Air] [N. 3 - Overture] [N. 4 - Woden, first to thee] [N. 5 - The white horse neigh'd aloud] [N. 6 - The lot is cast, and Tanfan pleas'd] [N. 7 - Brave soul to be renown'd in storry] [N. 8 - I call ye all to Woden's hall] [N. 9 - Military symphony] [N. 10 - Come if you dare, our trumpets sound] [N. 11 - Introduction] [N. 12 - Symphony] [N. 13 - Hiter this way, this way bend] [N. 14 - Let not a moon-born elf mislead ye] [N. 15 - Hither this way] [N. 16 - Come follow, follow, follow me] [N. 17 - How blest are shepherds, how happy their lasses] [N. 18 - Shepherds, shepherds, leave decoying] [N. 19 - Horpipe] [N. 20 - Come, shepherds, lead up a lively measure] [N. 21 - Second act tune: Air] [N. 22 - We must work, wee must haste] [N. 23 - Thus, thus I infuse] [N. 24 - Oh sight, the mother of desires] [N. 25 - Prelude] [N. 26 - What ho, thou Genius of the clime, what ho!] [N. 27 - What power art thou, who from below] [N. 28 - Thou doating fool, forbear, forbear] [N. 29 - Great Love, I know thee now] [N. 30 - No part of my dominion shall be waste] [N. 31 - Prelude] [N. 32 - See, see, we assemble] [N. 33 - 'Tis I, 'tis I, 'tis I that have warm'd ye] [N. 34 - Sound a parley, ye fair, and surrender] [N. 35 - Third Act Tune: Hornpipe] [N. 36 - O pass not on, but stay] [N. 37 - Two daughters of this aged stream are we] [N. 38 - Passacaglia] [N. 39 - How happy the lover] [N. 40 - For love every creature] [N. 41 - Fourth Act Tune: Air] [N. 42 - Trumpet tune] [N. 43 - Ye blust'ring brethren of the skies] [N. 44 - Symphony (The fishermen dance)] [N. 45 - Round thy coast, fair nymph of Britain] [N. 46 - For folded flocks on fruitful plains] [N. 47 - Your hay it is mow'd, and your corn is reap'd] [N. 48 - Fairest isle, all isles excelling] [N. 49 - You say, 't is love creates the pain] [N. 50 - Trumpet tune Warlike Consort] [N. 51 - Saint George, the patron of our isle] [N. 52 - Chaconne]
Act the first Act the second Act the third Act the fifth

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